Tuesday, March 18, 2014

Roulette Presents: Composer/Choreographer Second Nature: Cassie Tunick, Heather Harpham & Danny Tunick Thursday, April 3 & Friday, April 4, 8pm

For Immediate Release/Listings Request:
Contact: Lucy@roulette.org

Roulette Presents:
Composer/Choreographer
Second Nature: Cassie Tunick, Heather Harpham & Danny Tunick
Thursday, April 3 & Friday, April 4, 8pm

What: Second Nature, Cassie Tunick, Heather Harpham, and Danny Tunick
When: Thursday, April 3 & Friday, April 4 @ 8pm
Where: Roulette, 509 Atlantic Ave Brooklyn, 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR
Cost: $25/20
Info: www.roulette.org / 917.267.0368

Brooklyn, NY: Roulette presents Second Nature, performed by Cassie Tunick, Heather Harpham, and Danny Tunick as part of the the Composer/Choreographer series, April 3 & 4. For more information or to purchase tickets, please go to: http://roulette.org/events/composerchoreographer-cassie-tunick-2/

This musical/physical/vocal exposure of the present moment reveals what we've known all along – nothing happens for a reason. Next to nothing, there's always something clamoring to exist. In this fully improvised performance, distinctly evolved narratives dovetail with intricate dances. Songs avalanche out of sound, morph into gestural architectures with a keen ear for broken rhythms and altered states of mind. The will-o'-the-wisp moment is made flesh in Second Nature's ongoing exploration of the physical supernatural and the real-as-your-hometown macabre.

Created and performed by Cassie Tunick, Heather Harpham, and Danny Tunick. Lights by Nicholas Houfek.

Cassie Tunick is a performer, writer, and teacher. Her physical improvisations have been seen on stages across the US and in Germany, France, the Netherlands, and Estonia. Theatrical collaborators include the Butoh troupe inkBoat, experimental music-theater group Reflex Ensemble, video artist David Finkelstein, the poet Katie Yates, and Abby Bender. Currently she performs with Second Nature. She has danced for Tracey Rhoades' Exploding Roses, played keyboards with The Mad Scene, acted the title role in Eric Kozial's film The Duchess, and vocalized with the band Barbez. In New York her work has been presented at Triskelion Arts, Danspace at St. Mark's Church, Ontological Theater, Brooklyn Museum, Irondale Center, Dixon Place, Movement Research, and Roulette. She is a Senior Teacher of Ruth Zaporah's Action Theater, devoted to the study and development of Action Theater for the last 25 years. She holds an MFA in Writing and Poetics from Naropa Institute and recently finished editing a book on improvisation by Ruth Zaporah due out in September. 
www.cassietunick.com

Heather Harpham is a writer, teacher, and physical theater performer, who lives 12 miles north of New York City. Her solo plays, and improvisation collaborations with Cassie Tunick, have been presented widely in NYC, nationally, and internationally. Her most recent solo, BURNING, was included in the 2013 One Woman Standing Festival. Her previous solo, Happiness, played in the International Kathmandu Theater Festival, in Nepal. Second Nature last performed together in the 2013 Notafe Festival in Estonia. Harpham has received the Brenda Ueland Prose prize for her writing, a grant from the Barbara Deming Memorial Fund, and was a 2010 nominee for a New York Innovative Theater Award for her ensemble work with Company SoGoNo. She has guest taught at NYU, The Neighborhood Playhouse, Muhlenberg College, The Pratt Institute, and Sarah Lawrence College. She is currently adjunct faculty at Manhattanville College and SUNY Purchase. It has been her great joy to play in the imaginative realm with Cassie Tunick since the age of ten. www.heatherharpham.com

Danny Tunick is a veteran of an array of musical scenes in New York City and beyond. From many varieties of rock (Jowe Head, Dan Kaufman's Euro-literary-underground band Barbez, Rebecca Moore's Prevention of Blindness, New Zealand cult legends The Clean) to classical (he has conducted music by Pierre Boulez, Charles Wuorinen, and Zs founder Sam Hillmer, among others, and performed in countless premieres as percussionist), to music falling between any convenient category (Alvin Lucier, Arnold Dreyblatt's Orchestra of Excited Strings, Elliott Sharp's Orchestra Carbon, Christian Dautreme's indescribable Sugarlife, the pagan Civil War rituals of Flaming Fire, David First's The Western Enisphere), he has attempted to navigate around and through innumerable musical obstacles. He has worked closely with many dancers and dance companies, including Juliette Mapp and Armitage Gone! Dance, and theater directors John Jesurun and Rinde Eckert. His performances can be heard on over 30 record labels, including Tzadik, CRI, Opus One, Siltbreeze, EMI, New Albion, Capstone, Merge, RCA, Wiiija, Important, Mutable Music, Bridge, Happy Squid, Cantaloupe, Red Toucan, Black Box, Rare Book Room, and Rock Against Rock.

Nicholas Houfek (Lighting Designer). NYC: Deepest Play Ever, The Play about My Dad, The Momentum (Collaboration Town),The Capables (Gym at Judson), Coney (Blue Cayote Theater), The Future is Not What it Was (Kindling), Caucasian Chalk Circle (PPAS), International Contemporary Ensemble's ICElabs (Mostly Mozart, BAC), Bang on a Can All Stars, So Percussion (Carnegie Hall), Ian Spencer Bell's Socket (NYCC Studios), James Dillon's Nine Rivers, Composer Portrait: Cage (Miller Theater), The Threepenny Opera (Marvell Rep). Regional: The 39 Steps, Farragut North (Olney Theatre Center). Graduate of Boston University.
                                                                 
                                                   

Monday, March 17, 2014

PLEASE LIST through 3/27/14: ASSEMBLAGE WORKSHOP AND TALK WITH ACCLAIMED ARTIST CHAKAIA BOOKER

 

 

www.nyc.gov/parks

 

Listing

PLEASE  LIST through

March 27, 2014

IMMEDIATE

 


 

 

Assemblage Workshop and Talk WITH ACCLAIMED ARTIST

Chakaia Booker

Presented by NYC Parks' Arts, Culture & Fun series

 

DATE:                        Thursday, March 27, 2014

 

TIME:                          6:30 p.m. – 8:00 p.m.

 

LOCATION:               McCarren Play Center

                                    776 Lorimer Street

                                    BROOKLYN

 

DETAILS:                   Acclaimed artist Chakaia Booker will discuss her work and lead a sculpture workshop. Participants are asked to bring meaningful objects for inclusion in their own artwork.  Booker uses industrial materials to merge ecological, economic, and social concerns. Her best-known works are expressed through recyclable, discarded automobile tires.

 

                                    Booker has lectured and exhibited extensively around the country. Her sculptures are included in dozens of public collections, including the permanent collections at the Metropolitan Museum of Art and the Whitney Museum of Art.

 

                                    This event is free and open to the public. Space is limited. To RSVP, please e-mail bk.artsculturefun@parks.nyc.gov or call (718) 218-2380.

 

 

 

Contact:

Arthur Pincus / Meghan Lalor

(212) 360-1311

 

 

 

Saturday, March 15, 2014

Roulette Kids Presents: Taylor Ho Bynum An interactive, musical workshop for kids! Saturday, April 12, 2014, 1pm

For Immediate Release/Listings Request:
Contact: Lucy@roulette.org

Roulette Kids Presents:
Taylor Ho Bynum
An interactive, musical workshop for kids!
Saturday, April 12, 2014, 1pm

What: Roulette Kids presents: Taylor Ho Bynum
When: Saturday, April 12, 2014, 1pm
Where: Roulette, 509 Atlantic Ave Brooklyn, 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR
Cost: $5, suggested age 6 +
Info: www.roulette.org / 917.267.0368

Brooklyn, NY: Roulette Kids presents acclaimed composer, cornet player, bandleader and interdisciplinary collaborator Taylor Ho Bynum  in an exciting and unique workshop aimed at kids 6 +, Saturday, April 12 at 1pm.  No musical experience necessary! Everyone can come and play!

For more information, please contact Amanda Davis at amanda@roulette.org or 917.267.0365 or visit http://roulette.org/events/roulette-kids-taylor-ho-bynum/

Using Anthony Braxton's principles of Language Music, Taylor Ho Bynum will introduce young people to ideas of group improvisation and composition using sound using sound and a Lego set to create structures for play. All ages welcome, with special guests from the upcoming production of Braxton's opera Trillium J (The Non-Unconfessionables).

Presenting artists who push the imagination and revel in the wonderful world of sound and vision, Roulette Kids! is a family-friendly, kid approved educational programming series that fosters enrichment, curiosity, and wonder through music and the free-play of the imagination, experimentation, and creative interaction.

About Roulette
Roulette – one of New York City's premiere venues for experimental music for over 33 years - has reopened bigger and better than ever. Located in a newly renovated 1920s Art Deco concert hall in Downtown Brooklyn, the new Roulette features two levels of seating for up to 400 people (600 standing), an expanded multi-channel sound system, projection screen for film and multi-media events, state-of-the-art lighting system, modular stage, and a specially designed floor to accommodate dance. Teamed with bold new programming, the new Roulette promises to be one of the most exciting places in New York City - if not the country - to experience adventurous music and art.

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Friday, March 14, 2014

The Deer Players present Delaney Britt Brewer's The Brink of Us 4/25-5/17 @ South Oxford Space

FOR IMMEDIATE RELEASE
Contact: Emily Owens PR | emily@emilyowenspr.com | 917.408.3677

THE DEER PLAYERS
PRESENT
THE BRINK OF US

A NEW GEORGES SUPPORTED PRODUCTION

WRITTEN BY DELANEY BRITT BREWER
DIRECTED BY KARA-LYNN VAENI

WORLD PREMIERE 
APRIL 25 – MAY 17 @ SOUTH OXFORD SPACE

The Deer Players (Producers Julia Piker and Peter Staley) will present the World Premiere of THE BRINK OF US by Delaney Britt Brewer (Wolves at 59e59) April 25-May 17 at South Oxford Space (138 South Oxford Street between Atlantic Ave and Hanson Place, Brooklyn). The production will be directed by Kara-Lynn Vaeni (AliceGraceAnon with New Georges) and feature Daniel Cuff, Tom Kelsey, Starr Kirkland, Annelise Nielsen, Julia Piker, Peter Staley, Zachary J. Smith, and Linda Tardif. The creative team will include Set and Lighting Design by Nick Francone (Vampire Cowboys) with assistance from Rachel Schapira, and Costume Design by Ethan Berube. The production is presented with support from New Georges. 

Eight friends reunite for a weekend getaway. Drinks are poured. Snow falls and doesn't stop. At the heart of all the levity is one dark secret that binds the group together, but as the resources and the pleasantries start to dwindle, a revelation threatens to tear the friends apart. The Brink of Us artfully, and ominously, tells the story of how the ghosts of our past can come howling into the present. Remember to lock the door; it's treacherous outside, and the deer are getting hungry...

The production, presented by The Deer Players with support from New Georges, will play a four-week engagement at South Oxford Space (138 South Oxford Street between Atlantic Ave and Hanson Place, Brooklyn), April 25-May 17, Friday through Sunday at 8pm with an additional performance on Thursday, May 15 at 8pm. Tickets ($20/$18 students) may be purchased online at http://brinkofus.brownpapertickets.com or by calling 1-800-836-3006. The show runs approximately 90 minutes, without an intermission. 

DELANEY BRITT BREWER (Playwright) is a writer living in Brooklyn. She was a 2008-09 Dramatists Guild Fellow, a member of Ensemble Studio Theatre's playwriting group Youngblood, and currently an affiliated artist of New Georges and the literary manager of Firework Theater. Her work has been produced and work shopped at 59e59, The Philadelphia Live Arts Festival, the APAC, PS122, Center Stage, Ensemble Studio Theatre, Theatre at St. Clements (for the New York Musical Theatre Festival), Theatre Row, The Abingdon, Collective Unconscious, The Chernuchin at the American Theatre of Actors, and The Wings Theater. She is, also, a finalist for the 2014 Universal Pictures Emerging Writers Fellowship.

KARA-LYNN VAENI (Director) Kara-Lynn's directorial work has been seen at HERE, BAM, The National Theatre of Prague, The Guggenheim Works & Process, New Georges, Dallas Theatre Center, Yale Repertory Theatre, Irondale, 3LD, 2G, FringeNYC, The Flea, The Wild Project, The Duplex, Montana Rep and the Maltz Jupiter Theatre in Florida. Her innovative staging and use of contemporary dance for Opera Slavica's  Rusalka won her an extended invitation to perform from the Artistic Director of the Czech Center in New York. She is the Resident Stage Director for Opera Slavica, the Literary Manager of New Georges, a faculty member at Hofstra University and the University of MA-Amherst, and an Alumna of the Women's Project Directors Lab. She received her MFA in Directing from the Yale School of Drama where she also received a Presidential Public Service Fellowship and the Julian Kauffman Prize for Directing.

THE DEER PLAYERS is an ensemble performance collective founded by Peter Staley, Julia Piker and Kara-Lynn Vaeni. We find inspiration in machines, science fiction/horror/fantasy, whimsy, the power of the human body, and the music and fashion of the 1970's, 1980's, 1990's and beyond. We make experiential art in interesting places for our pleasure and yours.

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Saturday, March 8, 2014

Roulette Presents: Skeletons (Jerome Residency) Friday, March 21, 2014, 8pm

For Immediate Release/Listings Request:
Contact: Lucy@roulette.org

Roulette Presents:
Skeletons
(Jerome Residency)
Friday, March 21, 2014, 8pm

What: Skeletons ( Matt Mehlan & Jason McMahon)
When: Friday, March 21, 8pm
Where: Roulette, 509 Atlantic Ave Brooklyn, 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR
Info: www.roulette.org / 917.267.0368

Brooklyn, NY: Roulette presents Skeletons, the American entertainment unit led by composer/musicians Matt Mehlan and Jason McMahon, Friday, March 21, 8pm.

For this Jerome Residency event, Skeletons will perform material from their new and yet to be released album - recorded in the Summer of 2013 via Roulette's Jerome Foundation residency program. The album features new and re-worked orchestral arrangements (some based on Matt's recent work with the Brooklyn Philharmonic Orchestra), electronic explorations, and collaborative experiments with a band culled from New York's best, featuring drummer Greg Fox (Guardian Alien, Zs, formerly Liturgy), bassist Justin Frye (PC Worship), saxophonists Matt Nelson (tUnE-yArDs, Arts and Sciences) and Nathaniel Morgan (Buckminster), trombonist Sam Kulik (Starring, Talibam!), pianist Mike Gallope (Janka Nabay, Starring), percussionist Sam Sowyrda (Cloud Becomes Your Hand, Dan Deacon Ensemble), and violinist Caley Monahan-Ward (Extra Life).

One of the most fascinating bands from the hugely creative Brooklyn scene, Skeletons create intense, original and revelatory music, working a globe-spanning realm of inspirations into a singular and colourful vision. Based in New York City since 2005, the band is constantly evolving: performing as a duo, trio, quartet or otherwise - up to a 20 piece big band. They have released albums on the labels Shinkoyo (the label they co-founded), Ghostly International, Tomlab, and Crammed Discs, and the forthcoming full-length will be their 10th in as many years.

"Though originally birthed in Oberlin, Skeletons are a quintessential New York amalgam, guided by a fluttery art-jazz shimmer, a minimalist aesthetic, a grab bag of post-punk grooves and those disjunctive melodies currently turning the underground into a 12-tone headfuck" -Christopher Weingarten, Village Voice

About Roulette
Roulette – one of New York City's premiere venues for experimental music for over 33 years - has reopened bigger and better than ever. Located in a newly renovated 1920s Art Deco concert hall in Downtown Brooklyn, the new Roulette features two levels of seating for up to 400 people
(600 standing), an expanded multi-channel sound system, projection screen for film and multi-media events, state-of-the-art lighting system, modular stage, and a specially designed floor to accommodate dance. Teamed with bold new programming, the new Roulette promises to be one of the most exciting places in New York City - if not the country - to experience adventurous music and art.

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Monday, March 3, 2014

AntiMatter Collective presents The Tower 4/12-26 @ Standard Toykraft

FOR IMMEDIATE RELEASE 
Contact: Emily Owens PR | emily@emilyowenspr.com | 917.408.3677

AntiMatter Collective Presents
THE TOWER

Created by Adam Scott Mazer, with Philip Gates, Maya Rook, and the ensemble
April 12-26 @ Standard Toykraft - Brooklyn, NY

The Tower featuring Courtney Fenwick, Andrew Krug, and Rebecca Hirota Photo credit: Jonathan Shaw
 
The Tower is a psychedelic journey into the history and mythology of the Donner Party, a group of snowbound pioneers who notoriously resorted to cannibalism to survive the brutal winter of 1846-47. Historical narrative collides with hallucinatory imagery to create a shifting landscape filled with the whispers of the past and the roar of the future. A vision of adolescent America: frostbitten, bloodstained, ravenous. 

CAST:
Elizabeth Bays (AntiMatter's MOTHERBOARD)
Dan Bielinski* (CSC's Macbeth)
Courtney Fenwick
Rebecca Hirota* (AntiMatter's MOTHERBOARD)
Marlowe Holden
Andrew Krug* (AntiMatter's MOTHERBOARD)
Scott Raker*
Leah Walsh* (Signature's The Orphan Home cycle)
Curry Whitmire* (nominated NYIT Outstanding Actor in a Featured Role, christopher marlowe's chloroform dreams)
*courtesy AEA

CREATIVE TEAM: 
Written by Adam Scott Mazer (AntiMatter's DEATH VALLEY, MOTHERBOARD)
Directed by Philip Gates
Dramaturgy by Maya Rook
Choreography by Marine Sialelli
Scenery by Patrick McNaughton
Lighting by Alana Jacoby
Sound by Will Fulton
Props by Danielle Baskin
Projection by Sam Kusnetz
Special Effects by Stephanie Cox-Williams (named NYC's Queen of Gore by New York Press)

The production, presented by AntiMatter Collective, will play a three-week engagement at Standard Toykraft (722 Metropolitan Ave, 3rd Floor, Williamsburg), April 12-26; Wednesday through Sunday at 8pm. Tickets ($15) may be purchased online at http://thetower.brownpapertickets.com or by calling 1-800-838-3006.

ADAM SCOTT MAZER (Playwright) is a Brooklyn-based writer, actor, director, and fight choreographer. He graduated Brown University with a degree in Theatre Arts, and has since appeared in or directed productions for EST, Vampire Cowboys, Target Margin, UglyRhino, Piehole, Depth Charge, The Samuel French OOB Festival, and Columbia's MFA program. His original plays DEATH VALLEY and MOTHERBOARD were produced by AntiMatter Collective in 2011 and 2012, respectively. He also moonlights as an illustrator; his graphic poetry collection THE BONES OF US, with writer J. Bradley, will be released in March 2014 by YesYes Books. 

PHILIP GATES (Director) is a theater artist living in Brooklyn. Previous directing work includes christopher marlowe's chloroform dreams with Lunar Energy, and Play at the 133rd St Arts Center. His original productions include THUNDERBALLED (Dixon Place), Muse: A Dadacabaret Starring Tippi Hedren (Standard ToyKraft), and Before Placing Me On Your Shelf (FringeNYC), an adaptation of poems by James Tate. He recently appeared in Dave Malloy & Eliza Bent's Blue Wizard/Black Wizard at the Incubator Arts Project, and assisted David Adjmi on his plays 3C (Rattlestick) and Marie Antoinette (ART, Soho Rep). BA Bowdoin College.

MAYA ROOK (Dramaturg/Historian) lives in Brooklyn, where she pursues her interests in academia, visual art, writing, and meditation. As a PhD student in American Cultural History at Drew University, Maya focuses on intersections of popular and counter-cultures, gender and sexuality, and spirituality. Her academic work casts a wide net, ranging from seventeenth-century Puritan foodways to 1960s psychedelia. Along with a professional background in publishing, editing, and historical research, Maya also holds an MA in History from the University at Albany and a BA in History and Black Studies from SUNY New Paltz. 

Necessarily ephemeral, theater is not matter (though it may matter, we hope). ANTIMATTER COLLECTIVE was formed in order to excavate a new kind of theater that confronts the chasms between art and entertainment, the comic and the tragic, the squalid and the transcendent. The foundation of our process is the conviction that the collective intelligence and ideas of the group, when properly harnessed, will always lead to richer work than those of the individual. Periods of discussion, development, and play challenge everyone involved to map out the depths of their initial impulses and push beyond. This leads to work that is smart and subtle without sacrificing its visceral punch and sense of pure fun. 

We developed this shared aesthetic and ethos of collaboration initially in DEATH VALLEY, our original zombie-western created for Vampire Cowboys' Saturday Night Saloon and then produced in full at the Bushwick Starr in the summer of 2011. Subsequent work has deepened our exploration of modern myths with Greg Moss's sixsixsix, a menacingly metatheatrical riff on Faust produced first at the AXA in Action festival in Prague, and The Dreams in the Witch House, a shadow puppet adaptation of an H. P. Lovecraft novella, created for the Brick's Tiny Theater Festival. Both were remounted together as DEMONOLOGY at the Magic Futurebox in the summer of 2012. Most recently we challenged the limits of the theatrical with MOTHERBOARD, our post-Robocalyptic tragicomedy at The Secret Theater in the fall of 2012. 

Darkly funny, emotionally challenging, genre-savvy, character-driven, and loaded with tightly choreographed action and cutting-edge effects, AntiMatter makes sharp-edged work that appeals broadly to non-theater-goers and aficionados alike. Although our work is marked by a finger-on-the-pulse contemporaneity, we are all fundamentally purists to theater's original function: gathering as communities in order to experience our collective stories, and to have a blast while doing so. Stories matter because we tell them, and we tell them because they matter. That illusory, transient significance is a kind of alchemy, making something out of nothing—kind of like theater itself. We think that matters.

"Staged with verve and even a touch of menace."
New York Times (DEATH VALLEY

"MOTHERBOARD has the distinction of being the most violent stage production I've ever seen… Watch as android skin is peeled back to reveal circuitry; watch out for sudden bloodsplatters. The ring of gunshots and the smell of smoke from blanks fills the air… [It] is never boring, and provokes an edge-of-the-seat tension that holds up for hours. Fans of horror and suspense will love the action, while the play also asks speculative questions about the rightful use of technology alongside those of love, family, and politics " 
 
"The creators of MOTHERBOARD will not be bested when it comes to imagination, creativity and ingenuity. AntiMatter Collective serves up a production that is not only visually striking but also comes with a meaty plot and rich characters… Playwright Adam Scott Mazer pens an amazing journey of discovery for his main characters. Creating sympathy for a doomed robot character has been done many times before but Mazer does it with all the skill and style of some of science fiction's greatest  writers… Motherboard is a good time from start to  finish. All the production aspects come together to create an immersive world that will transport you… Sci-fi  theater at its very best."

"The 'anything could happen' atmosphere amplifies this show into absolutely must-see territory. We'll leave it there; to say  anything else would be to spoil the brilliant fever-dream you're in for with DEMONOLOGY."
Flavorpill Editor's Pick

"If you are an adventurous theatergoer and are looking for what curiosities alternative theater might have to offer you need look no further than AntiMatter Collective's DEMONOLOGY... this frightening and fascinating experience will make you feel like you've been missing something even if you're a regular devotee of downtown independent theater." 

"Thanks to a cunning transposition of genre conventions, the Western-zombie mash-up DEATH VALLEY, written and fight directed by Adam Scott Mazer, comes off tighter than Dick's hatband." 
Backstage Critics Pick

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Saturday, March 1, 2014

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